From the category archives:

call for entries

Call for Entries: Art Biological Competition

by Lori Greenberg on February 2, 2009

in art,call for entries

art biological competition

I thought this was an interesting call for entries.

This exhibition is open to all interpretations of the concept, Art Biologic. Included are all art forms relating to or gaining inspiration from the biological world. Landscape, flowers, vegetables, fruits and animals are all included. Figurative artwork of human beings is prohibited. All artist interpretations of these biological elements from the realist to the abstract and conceptual will be reviewed and considered…

Check out the Slowart Productions page for det ails.

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Artist Interview: Jill Symons

by Lori Greenberg on September 11, 2008

in Artist Interview,call for entries

I was lucky enough to catch up with lampwork bead artist Jill Symons.  Here’s what she has to say about the business of beads:

BN: How long have you been making and selling beads?

JS: I started making beads in 1999, it was late 1998 when I first saw lampwork beads on eBay… there were just a handful of pages at that time, and it just took me by storm! I researched what I’d need to start making my own – and before long was lighting a torch with a shaking hand… over the sink in my TX kitchen. That was then, this is now!!

BN: Do you make or sell anything else? Like Jewelry? Have you always sold a combination? How do you find a balance, or how does that work for you?

JS: For a long time I only made beads – I didn’t EVEN think I was capable of making them into anything. I had such an incredible drive to just simply make oooodles of beads. It took me maybe 5 years to gain the confidence to realize that maybe I could/should make my own pieces. I also think it was partially due to the fact that I didn’t want to become known as someone who made jewelry…just BEADS.

Now – a few years later – I offer finished pieces – earrings, bracelets, pendants, an occasional necklace, some silver-smithed-bezel-set lampwork cabochons, bottle openers, wine stoppers, spreaders (I’ve got a weakness for hunting down findings for spreaders, openers, cake knives, ice cream scoops and pie servers…so the possibilities are all there – I just would…(come say it with me) RATHER BE MAKING BEADS!

BN: How many hours a day/week do you work? How much time is spent on creating and how much on the business side?

JS: Who me? I don’t “WORK”…I make beads – I love it, and look forward to carving out a chunk of time as often as possible. Early on I spent 6-8 hours a day – sometimes 5 days a week making beads – then when the sales started becoming more regular – I had to divvy up my precious creation time to cover the other necessary items: advertising, accounting, shipping, blogs, website, blogs… etc.

It’s usually about 70creative/30admin split. Depends on if it’s an update week or not. I used to dread all the invoicing and packaging – but seems now that have been streamlined so much with invoicing through PayPal and printing online postage directly from that same PayPal account. I DO have a few customers who are staunch check writers – and that’s fine too, I just shift gears for them.

BN: Where/how have you sold beads in the past and where do you sell them currently?

JS: I have only exclusively sold online, in the past on eBay under KCTORI – but it’s been a few years since I decided not to let eBay run my life…I’ve recently decided to see what ETSY is all about, but I’m still in a learning mode there.

Primarily I sell on my website – www.jillsymons.com through website update sales that encompass 5 pages or so – and often up to 20 sets of beads. I can usually manage one of these updates every three or four weeks. I’ve tried to have these updates every week, but decided that would quickly drive me crazy! (As often as I can comfortably manage)

I’m a little gun-shy about having to ‘justify’ my pricing as I stand behind a table. SO – I’ve never EVER sold at a show, this includes even a home party type scenario. I think a lot of my aversion to this is that if people seek you out online – more than likely – they know what lampwork is, and its value and allure as being art. Plus, if people don’t like your items – they don’t come to your site or bid on your auctions.

BN: How long would you say it took before you had a following or a more steady stream of buyers?

JS: For me, being that I started back before it was so wildly popular, my following came pretty quickly…I’d say in the first 4 or 5 months. I was lucky enough to catch the eye of a few of the power bidders on eBay – and back then, they all ‘shopped’ each others’ lists…so – your name and your auctions got around.

BN: Other than selling your beads, do you supplement bead making income in other ways?

I have taught a handful of students…I had a great teaching setup back in 2001-2005, but have since scaled back to a single torch setup. I dabbled in silversmithing in 2004 – enjoyed it – but missed making beads…I do offer a smattering of findings – headpins, hammered rings, closures and such on my site…these seem to do well on ETSY!! I enjoy offering the whole shebang to my customers at one place… you know – one stop shopping!

My Father is Glassdaddy and I am thankful that he has endless stock of Lauscha glass. Although I cut my teeth on Moretti – I long for the clarity and heat tolerance of Lauscha German glass. I work hot and fast – and this glass, for me, is the most cooperative.

BN: How has the business of making and selling beads changed for you since the time you started?

JS: My degree is in Interior Design – but my military marriage is such that we relocate often, and starting over can be so difficult. I found that when the decision came to abandon an 11 year career in design – I needed to find ‘self-worth’ somewhere else than just what I could glean from keeping a home and being a wife/mother. To be able to create something that enchants someone – and to get paid to do so was just the kind of affirmation I was looking for. I was so smugly flattered the first time someone referred to my beads in this way – “I love your ‘work’” I had WORK… I guess that also qualified me as an artist. How cool was that??

I spend a good chunk of time regularly what-iffing… you know, seeing where else I could go – perhaps a new direction to head or new style. Ruts are not good.

My confidence has grown, and I am content that the ‘vision of style’ I have carved out is my own. Sometimes I hear people saying back to me just what I’ve been preaching from the start – that the glass holds such beauty in itself, how nice it is that my work allow this beauty to shine through. It’s good to know that they equate this thinking with my work…it means that I have achieved my goal, and that feels good. I also strive to continually be moving forward – constantly seeing where else I could go with something – a new direction, new style, new technique… I have found that ruts are not good – and truly having your own voice/vision is incredibly uplifting.

BN: If there was one thing that you could change if you knew then what you know now, what would it be?

Hmmm, what would I have changed… I think I dove into everything and tried every possible way to do it – I’m the ‘version-queen’… don’t just do it one way, try it every conceivable way!!

BN: What piece of business advice would you give to someone just starting out?

I think putting your best foot forward is most important – take the time to figure out how to take the best possible images to put online…make sure that they are representative of your work – truly. This is the only thing your online buyers have to be able to count on – and it’s sooo important to give them the best possible idea of what they’re buying.

My site will never hold blurry images or chatter about politics, religion or bad things about other people, after all, who wants to return to a site that leaves you feeling bad? I try to imagine what it is that people come wanting to see, I’m always open to suggestions and try to treat customers with extras – sometimes it’s beads, or chocolates or even homemade biscotti *usually for those I know a little better*.

I try to keep track of what people have purchased in the past – so that if I choose to enclose extras – they can complement a prior purchase. I want them to feel that they’re special and appreciated – sheesh – don’t we ALL??

BN: Where else can our readers find more information about you and your work?

JS: I have a few other blogs out there – linked on my journal page – one site that’s more about photography www.eptitude.blogspot.com and not beads… and one that’s solely about beads www.jillsymons.blogspot.com…but no sales there –just good juicy images!!!

These other blogs are evidence that I have a hard time keeping my focus narrow, sometimes I feel like I need to wear blinders – as I get so charged about trying new things – sometimes there are simply not enough hours in the day! I design and print my own business cards, so – desktop publishing is a huge distraction. Because I do all my own photography, I have all the raw materials for creating the cards, as well as producing the mastheads on my ETSY site and my beads blog. I’ve helped friends with their designs, photography and generally the concept of the total package.

BN: Thanks for the interview Jill!

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Today’s interview is with Barbara Fajardo. Some may recognize her as rhubarb. Barb is the chair for the upcoming Progress & Possibilities Exhibition sponsored by the National Polymer Clay Guild. The Guild continues to press on in elevating the medium of Polymer Clay. Below are some highlights of my interview with Barb:

npcg logoWhat is Progress & Possibilities?

P&P is an International Juried Exhibition sponsored by the National Polymer Clay Guild. This is the 4th year of the show, and it gets more exciting each year!

What is the objective of Progress & Possibilities?

The objective is to show the world the progress that has been achieved by artists working with this incredible medium…and the possibilities of that work are enormous.

Who should enter? Do you need to be a NPCG member?

You do need to be a member of the NPCG. You can join on-line at npcg.org. We have some outstanding jurors this year including Victoria Hughes, an early polymer pioneer and Robert Lui, co-editor of Ornament Magazine. It will be a great opportunity for applicants to have your work seen by the talented and gifted line-up of jurors.

I would love to see more work entered from our International friends. We have Marlaine Verhelst as our International juror…she is a gifted doll artist from the Netherlands and NAIDA member, who works primarily in porcelain. You can read all of the juror biographies at at npcg.org.

What are the submission guidelines this year?

We have three categories; Art Jewelry, Sculptural Objects and Functional Objects. The entry fee is $25 and covers up to three entries. All submissions will be done on-line through callforentry.org (CaFE). Artists should go to the site and register their profile for free. The Progress and Possibilities page will go live on the CaFE site on August 1st and will be open until Sept. 1st, 2008. Keep checking npcg.org for more announcements.

Where will finalists be exhibited and shown?

The finalists and winners entries will be mounted on the NPCG website and a catalog will be published as well.

What is your hope for Progress & Possibilities?

It’s truly inspiring to see the innovative twists and turns that artists are making in their polymer clay work. I have a feeling that this year’s entries will truly show how far we’ve come. And, I hope that each year of Progress and Possibilities, we continue to see winning work that just blows us away and makes us proud to be members of our community and the National Guild.

Here at Bead Nerd I like to help people be successful in their bead/art businesses. Can you tell me how Progress & Possibilities could potentially help someones business?

Anytime that you win recognition for your work, it’s definitely an ego boost and can give you more confidence. How wonderful it would be to have a P&P catalog on your show table and your work up permanently on the website. And, I’m sure we will all be blogging about the finalists and winners for quite some time afterwards!

See the 2007 Progress & Possibilities

Barb is a polymer clay artist working from her studio in Albuquerque, New Mexico. Thanks for your time and service to the NPCG Barb!

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